Archive for category musings

Creating a Culture of Music Exploration

It’s fair to say that 1st world countries have had a head start. With so many people having easy access to computers and fast internet, it made it easy for people living in 1st world countries to literally surf the web.

With the rise of websites like MySpace, suddenly independent & unsigned artists had a platform to showcase their music, even sell it, oftentimes without having had a single shred of radio airplay. It became so easy for
people to explore the web & find new, undiscovered music. It wasn’t the popularity contest of “we all need to listen to this music that everybody’s listening to because if we don’t, we won’t be cool” but instead “I’m unique because I’ve discovered something wonderful, new & fresh that you’ve never heard before”.

My question would then be, did this culture only start with the advent of fast internet? In my opinion, no. Spending time in countries around the world I’ve always been amazed at the amount of options, musically available to the public & beyond the consumption of this music. its the exposure of
it. Every genre you can imagine & many more you’ve never heard before are available on a multitude of radio stations & tv channels. There is quite literally something for everyone. On a performance level, you’re bound
to find a jazz band playing while around the corner, an indie rock band is jamming & a few roads down from there, a Hip-Hop club where not so far from there you can dance the night away at a House club. Even these sort of clubs would cater to a specific sub-genre.

Bringing it back to South Africa, it’s my observation that we don’t have much variety, as far as music is concerned, on our radio stations. I’m going to focus on radio in particular because it still remains such a powerful medium in our country. I believe there’s an assumption that this is what White people listen to, this is what Black people listen to, this is what Indian people listen to & so on & so forth. The problem is, not all White people listen to Pop music & not every Black person listens to House music.

It does though, feel like a lot of people place all their trust in these stations with the notion of “this is it”. This is what’s out there, both locally & abroad. My fear is, are we not losing our uniqueness as a people by all listening to the same music & to a larger degree by not thinking for ourselves? Maybe you’re reading this, thinking maybe you’d love to listen to listen something you don’t hear on the radio.

True, In South Africa we still aren’t in situation where every citizen has easy access to computers & even adequately fast internet but we do have phones & pretty much every phone out there is now a smartphone, & thanks to our cellphone service providers, these “mini computers” we hold in our hands everyday can access the internet, sometimes at lightning speed, anywhere in the world. This means that any of us can access any music, in the world at the click of a finger. I can guarantee you will find a station that fits you. I can also guarantee that once you realise how much amazing music is out there, radio (fill in your name) will be the best station you’ve ever heard.

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Friday Free track download – “If I Gave You”

” If I Gave You” – co-written by RJ Benjamin & Hlubi Kwebulana.

The lyrics are based on a poem of Antonio Lyons which were-interpreted & added melody.

Get it!

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Friday Free track download – “So Nervous” by Jarrid John

I wrote & co-produced this track with Chad Alexander for an artist named Jarrid John. Jarrid has had reservations about releasing his music & I’m curious to hear what you think of it so please give me some feedback.

Get it (right-click and choose “Save As” or “Download Link”)

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Conversation with the Jaziel Brothers

RJWe all know of course you’re brothers, but where does “Jaziel” come from?

Jaziel Bro’s – Jaziel is a Hebrew word that means “God’s comfort and natured” because of our faith and belief in God we chose a name that would best represent who we are and what we want to communicate through our music

RJWho were the local stars you looked up to growing up?

Jaziel Bro’s – Brenda Fassie Caiphus Semenya and Ringo

RJ - Being a music producer and songwriter myself, I have seen the benefits in creating a credible brand. How has creating hits for the likes of Lesego and Kelly Khumalo helped your own careers as the Jaziel Brothers?

Jaziel Bro’s – It really set us apart and made it easier for us to able to tell our story in our albums because we wanted our work to speak for us and to introduce our sound gradually.

RJIn a country dominated by programmed and synthesized music, you have maintained an authentic sound still utilizing live instrumentation. Where do you see the future of South African music going?

Jaziel Bro’s – We still believe that there is a lot of potential and there many talented musicians in the industry who can still maintain the pureness, culture & heritage of the our music without it losing its authenticity and expand it but education is very important that creative people use what they love as a business.

RJIt’s hard to box-in your style. Some people call it Afro-Pop, some say Gospel. How would you describe your music?

Jaziel Bro’s – We do Afro Pop which has a lot of soul and in our albums we always add a gospel song.

RJAny upcoming albums and collaborations in the near future?

Jaziel Bro’s – At the moment we are currently promoting our second album “The Journey” we also have projects like Bongi & Collin gospel duo under Jaziel Music who won Sama award for Best Urban Gospel and Trezpass young talented rap artist. Maybe a collaboration with you.

RJIn a world where the selling of music is constantly changing, how are you getting your music out there in light of the decline of CD sales?

Jaziel Bro’s – We travel a lot and we realized since we interact a lot with people who love our music we always make sure that we have CD’s with us and we are looking at finding better ways for our music to be more accessible.

RJYou have consistently been successful at the SAMA Awards and are proof that you don’t need to be part of the biggest record companies to do so. If you were to change anything about the SAMA’s what would it be and why?

Jaziel Bro’s – We would appreciate that organizers put more effort & detail in the execution of how the artists are presented and showcased musically on the night through their performance like they do with the actual producing of the awards themselves you will always find the best directors or producers in tv production at the Sama’s but music & artists are not given the best attention in the planning.

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Taking care of the one voice you have

This year marks the tenth year of my teaching career. Over the years I’ve taught young & old, talented & not-so-talented, the not-so-famous, the not-yet famous & the now-very famous as far as SA celebrities go. I’ve observed the singing careers of every major SA artist that’s come onto the scene in the last 10 years & I’ve noticed that most do NOT take care of their voices.

It’s a reflection of the SA music industry as a whole & in comparing it to the SA sports industry, a clear picture is painted. Arts in SA is not as well supported as is sports. I’d be the 1st to raise my concerns about this. I can only speak for the music industry but from that perspective, if we are not taking ourselves seriously as singers, why should government or anyone else take us seriously?

Here’s what I know. The majority of top SA singers do not warm up their voices before performances among other lifestyle choices that cause damage to the voice. Many of you may be asking well why should they?

Here’s why: the voice, like any other part of the body needs to be warmed up before it is used. It may seem to the listener that it’s an effortless exercise but performing solidly for an hour or more is as taxing on the voice of a professional singer as any professional sport would be taxing on the body of a sports-person. What do we know about the professional sports world? We know they stretch & warm up before every game, some even warm down. We also know they go through rigorous training daily. For the most part, our SA singers are not doing this & to argue they can’t afford coaches on a daily basis is fair but for singers, it is easy to find singing exercises at the click of a button. At the very least all professional SA singers should be warming up. If you need exercise, contact me, I will gladly help!

What could be the effect of not warming before every performance? In the short term, none of us will notice a difference however it’s a long term problem. Many of you can go through your SA music collection, pick an artist & listen to their body of work. I have noticed that some artists voices have audibly changed over a 10-year period… 10 years??? Considering this is supposed to be a life-long career, 10 years should just be the start of a career & the harsh reality is without the voice that made you famous in the 1st place, you have no career as a singer… unless you’re planning on miming for the rest of your life.

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‘Inside’ – sorry for the delay

This is long overdue but I’m sure what I have to say will appease some who read this.

I’m sure many people are wondering where the final album I said would be released in Feb 2011 is? 1stly I must say a big sorry to everyone for the delay of this release.

In a way I blame falling in love & spending 2 months of the year in London & traveling. The advantage of spending time outside of South Africa was I had time to reflect on the future. It also forced me to accept that although I had publicly stated I would release in Feb 2011, I could not rush this process if I wanted to put out the best quality album.

The good news is, the production for my final album Inside is done. The album is now in the process of being mixed & mastered. Ironically, the release of Inside will now be in Feb 2012. In the next few months I’ll be putting some footage on YouTube of some of the recording sessions & hopefully releasing some singles on radio.

Again, sorry for the delay but I can promise when you listen to the final product you’ll agree it was worth the wait.

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South African music: where to from here?

Since I last had my rant about what the point would be in studying music in SA, I’ve engaged in many conversations & fierce debates about whether I’m right or wrong. What has become clear is that more musicians in South Africa agree with me than disagree.

It’s a relief to know that I am not the only one who feels we need to re-educate the youth if there is any hope in the survival of live music.

It’s not hard to see a post-apocalyptic SA (maybe even… world), say 20 years in the future where instruments are merely antique ornaments in people’s houses but no-one anywhere knows how to actually play one. How many kids in 2011 would rather invest in some CDJs as opposed to a violin or trumpet?

I certainly can’t blame the youth for not wanting to pick up an instrument or for the lack of understanding & appreciation of playing & mastering an instrument. I don’t think we’ll be seeing more music education in our schools, at least not from the governments side & therefore it’s up to the current musicians in South Africa & maybe even abroad to ensure we do not suffer a musical apocalypse.

I’m making it my life’s official mission to set up programs & workshops that will reach every school in South Africa. I am already in the process of recruiting some of SA’s best musicians to assist. I’m also going to approach touring international artists & ask that they run workshops in less fortunate areas.

If you, like me would like to know that the future of live music in SA is in safe hands, follow me on twitter – @RJBenjamin or become a fan on Facebook (facebook.com/RJBenjamin) & together, let’s start a music revolution!

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Studying music in South Africa – what’s the point?

After a few years of trying my hand at other things not music, I inevitably landed up studying music. It was what I had been born to do & therefore there was no reason I study something else. Following that I became a lecturer & have since been in music education for 10 years now. I’ve always encouraged people with talent to study music. The value you gain is taking that talent to another level the same way a good sports coach would.

It’s always been to my advantage being a music teacher & being in the industry at the same time. I’m seen as a teacher who can do. The flip side of that is I have seen over the last 8 years, being in the music industry how its changing & sadly, is becoming harder & harder for musicians to make a living. In defining what a musician is, this is someone who plays a musical instrument or sings with proficiency. They have to, to some degree have mastered their craft.

Right now as the SA music industry stands, DJs are taking over to such a degree that the mindset of the average person on the street is – live music (real instrument playing the music is boring). Being an artist who performs in clubs to house music, I see the reaction to that & then I see the reaction to live music with my band…not all the time but there is a mindset out there that live = boring.

There are many factors contributing to this. More music on radio & airwaves over the past three decades has become less real so people’s ears have adapted & gotten used to a specific sound. I don’t know how to change the perceptions out there but something… especially in South Africa has to be done because if we are not careful, we will become musically & culturally bankrupt!

In order to learn & master an instrument it can take decades… even a lifetime. Surely then when you see someone pouring their soul out through an instrument, you realize you are seeing something that takes skill, discipline & ultimately talent. There are DJs out there with true skill & talent, but to beat mix one song to another, in my mind doesn’t constitute as talent. Moreso, a DJ mixing songs out of key & my worst, a capellas out of key cannot be called talented. For the most part a DJ is a compiler.

Yet it is DJ’s that are for the most taking a large cut of what once would’ve been how a musician would make a living. Its all about what people want & yes, what you want are DJ’s, playing largely House & Hip-Hop.

Let me use this as an appeal to the minister of Arts & Culture & to the minister of Education to begin addressing the issue of a Country in threat of becoming culturally bankrupt.

Originally published on my fan page on Facebook on 29 November 2010

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Is South Africa’s true talent being exposed?

We live on the continent where in all likelyhood the 1st forms of music came from so it would stand to reason Africans & more specifically South Africans have some serious musical history. We’re one of the few nations on Earth that protest in song & dance. I’ve always remained confident that South Africa is full of great artistic talent yet the perception that is put out there is not the same.

Looking at the Idols competition that has become a standard throughout the world. The fact is our winners do not match with other winners around the world. Do we blame the lack of talent? I don’t think so. I’ve been teaching singers for 10 yrs & have come accross many great voices in that time & most haven’t come close to getting into the top 10 of an Idols competition. There are a few reasons that come to mind.

The 1st stage of Idols is judged by unknowns who I don’t believe are qualified to recognise talent. In this stage it’s their job to take 50% of the worst & 50% of the best. What is shown on TV is round 2. So already there’s a problem because only 50% of the so-called real talent is going though. Yes, I understand it’s entertainment & people wanna laugh at the terrible singing but its also a program that commercialises local talent & in many ways tries to show a reflection of SA singing talent. Unfortunately if that were the case, then 100% percent of the BEST should be going through to round 2.

The next problem is our main panel of judges. Simply put, right now, they’re all radio DJs. Compare that with the US, they’re all singers, music producers or managers with a track record of making stars. Listening to music (which we all do) doesn’t give you the ability to recognise talent. We all listen to music. The bottom line is that we need judges that are either talented themselves & understand true talent or are experts in recognising true talent. The final problem of course, is that for a true reflection of SA’s talent a show like this would need to cater for the majority, which it doesn’t.

It also doesn’t help that government places little value in the arts. It’s sad to me considering that poets, writers, painters, dancers & musicians are enshrined in our history & were so pivotal in the liberation struggle. We should be teaching our musical history in schools. I think it’s up to us to bring the arts back & show the rest of the world that Africa & South Africa, in our case, has an abundance of talent that can compete with the best the world has to offer.

I recently embarked on an arts campaign sponsored by one of the big corporate giants. As much as the competition was for them to build a client base with the youth, it used several art forms to do this including painting, singing, debating & poetry. It was so refreshing to see the amazing creativity particularly coming out of the less affluent schools. By the finals of this inter-schools competition, the less affluent schools had swept the floor with the schools from the suburbs. It proved to me that there is so much un-earthed talent in the rural areas & townships. It also proved to me that even without government we can assist the arts in SA.

We’ve got the talent. We have a rich culture of dance & music unlike any other country in the world. That needs to be reflected on TV & radio & on the stages. We need to raise the standards & expect the best, not average, the best. As supporters we have the power as we would as voters of making sure that true, great, future legends are born. Don’t settle for less & help SA’s talent get the respect it deserves.

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SA Hip-hop: The Way I See It

I’m not really sure why but right from the start of my days as a recording artist I was collaborating with some of the cream of SA hip-hop. It’s been one of the greatest privileges of my career thus far because I think it’s given me an inside perspective on the on-going search for a truly South African sound. Hip-hop is no doubt a part of this & as the years go on, it’s clear to see how we are creating our own unique brand.

I can recall early days, after I had graduated from college. My 1st form of income was vocal coaching which I still do. I remember one of the young students studying sound engineering was a little known lad at the time, Proverb. I did not know the extent of his talent but he knew I could sing a little.

A year or so later & I was recording my 1st album with Ghetto Ruff. Naturally I got to dip into their hip-hop resources. 1st up was working with Amu, short for Ammunition. It was my 1st glimpse at how rappers work in studio. His requirement here was to rap over a swung Latin hip-hop beat for a song called Letting Go. I loved his approach, as laid back as you could imagine. Totally on point.

Next up was Pitch Black Afro. One of Cleo’s discoveries, he had something very unique, very different. I asked him to be on a song called Restless. A very retro, funky number where in a nutshell I’m desperate for some “time” with my lady. He threw in Zulu & his mix of Tsotsi-taal rap which for me really felt like Busta Rhymes from Africa. He was quick & animated & it translated to the song! That session definitely got me thinking about the evolution of SA hip-hop. I’ve always felt that Kwaito would evolve & couldn’t remain as it was. Hearing Pitch Black Afro got me wondering if the lines between local hip-hop & Kwaito weren’t blurring. If anything, with Cleo’s experience in Kwaito, Pitch Black Afro’s Styling Gel album would be one of the albums to start the transformation.

While finishing up my 1st album at Jazzworx in mid 2003, I bumped into another future SA hip-hop star, HHP. My 1st experience with Jabba was a short one but more ragga than hip-hop. The song he was rapping over was very much on the “Ragga” tip. To my surprise, the guy who I had been told was a rapper was giving me full on ragga, melodic, the right tone & even stacking harmonies. What I very much realized is that this guy, HHP was not just another rapper. He had a seriously musical side to himself. That track never made it on my 1st album & eventually got onto my 2nd album in 2007/2008 but of course by the time that was released Jabba had become a house-hold name & a hip-hop legend. He seemed to be the guy that had cemented the link between Hip-hop & Kwaito. A new movement known as Mostwako. No surprise really, not with a name like Hip-Hop Pantsula.

After the release of my 1st album Who I Am, I met up with a now rising star Proverb. We recorded a song I strongly believed was one of my best melodies. A few months later it got canned due to a fall out between Pro & his music producer at the time. I was bitterly disappointed. Months after that, I just happened to walk into a studio where Slikour from the most successful SA Hip-hop group Skwatta Kamp was playing a song he wanted another guy to sing over. It was the song I did with Pro, it still had some of my harmonies on it. I interjected & insisted I sing on that song. Slikour said he was cool with it but wanted to hear what I would do. I took it home, listened to his lyrics so I could modify what I had written lyrically on Pro’s version. Slikour’s lyrics blew me away, they were honest & talking about everyone, how people had lost hope, speaking about a nation & telling them to stand up & start dreaming again. For me, easily was one of the best post ’94 conscious songs! It was clear that this guy was a great thinker & someone who would transcend being just another rapper.

From there, a pool of Hip-hop acts passed my way. Tumi from The Volume had a hit with This Is Not Love, some work with pre-Jozi Bongani Fassie & Les, Shugasmakx, Kwesta & several songs on Slikour’s 2nd solo project. That led me to the final touches on my 2nd album, Swimming in the Soul of Music.

I needed a rap section on a song called Shut-Up. The name Zubz was mentioned & we called him in. I was wondering how a rapper would flow on an un-typical hip-hop track. I left him alone for about an hour. Came back in & started recording. He was flowing to the groove like Kelly Slater surfing on a wave! Lyrically, he got my message, it’s a complicated song because in essence it’s about the one thing you wish you could say in a fight with a girlfriend of boyfriend, Shut-up! He did it in a way that was clear, sometimes harsh but yet still came across as fair. Since that Zubz & I have collaborated on his last album, Cochlea. I have to say its truly sad when a great creative album, a work of art like Cochlea gets no credit & not even one nomination for a SAMA. It’s shameful how we punt the trash. All we are doing then is sending our industry backwards when albums trying to elevate the standard are ignored. It’s a shame but there are people out there like me who feel this way & we will not go down without a fight.

Hip-hop is clearly here to stay & it’s clear that as South Africans, we are finding our own brand of Hip-hop. I may not be part of it but I can see its importance & impact & no doubt the next generation aka the JRs & others will keep the standard rising!

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